‘A Thousand Kisses Deep’ is a
beautiful re-working of eleven Leonard Cohen songs and is Tobin’s 2014
salute to the legendary Canadian singer, songwriter and poet in the year
of his 80th birthday. In her own songwriting, Christine Tobin
specializes in idiosyncratic, highly musical poetic vignettes with a
strong sense of story, so it's no surprise she weaves such magic with
the profound, sensual and mysterious songs of Cohen. She has been a
lifelong fan and has always included one of his songs in her live
programme since the mid-90s.
The songs chosen are from his early 1960s albums
through to his 2001 release ‘Ten New Songs’. Christine was first drawn
to Cohen at the age of ten after hearing ‘You Know Who I Am’ on the
classic compilation double album ‘Fill Your Head With Rock’ which
belonged to her eldest sister. Despite her tender years, she fell under
the spell of his hypnotic tones and became a Cohen devotee, learning
every song from his second LP ‘Songs From a Room’ by heart. Speaking of
‘You Know Who I Am’, Christine says, “I guess because I internalized it
at such a young age, I feel its presence like an old friend, a
comforting hymn that’s always there in the background.”
Tobin’s masterful arrangements and captivating
delivery bring great luminosity to his work. Sometimes she reframes the
songs, by changing the rhythm or broadening the harmonic backdrop to
introduce new colours that present Cohen’s beloved melodies afresh and
burnish the lyrics to a powerful glow. ‘Tower of Song’ is taken from its
1980s soundscape back to the 1960s – not hippie introspection but a
homage to the Miles Davis band, deftly quoting ‘In a Silent Way/It’s
About That Time’ in the finale. Tobin’s long-time musical partner,
guitarist Phil Robson, contributes a compelling arrangement of ‘Famous
Blue Raincoat’, where the lively West African influenced opening riff
sets the tone for a reading imbued with an almost defiant emotional
bravery. The band is a team of great musicians that provide a sensitive
and responsive soundworld. Tobin is reunited with one of her earliest
collaborators Huw Warren on accordion (long-time pianist/arranger with
June Tabor),
award winning guitarist Phil Robson, Dave Whitford double bass, and
Brazilian percussionist Adriano Adewale (Antonio Forcione band).
Special guest Gwilym Simcock unfolds a version of ‘Anthem’ that creates a kind of alchemy on an intimate voice and piano reading. Nick Smart’s trumpet intro to ‘Dance Me To The End of Love’ conjures up an otherworldly ballroom of romance and heralds the finale of this imaginative
re-visioning of Cohen classics.
Special guest Gwilym Simcock unfolds a version of ‘Anthem’ that creates a kind of alchemy on an intimate voice and piano reading. Nick Smart’s trumpet intro to ‘Dance Me To The End of Love’ conjures up an otherworldly ballroom of romance and heralds the finale of this imaginative
re-visioning of Cohen classics.
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