- by John Fordham (TheGuardian)
Manchester trumpeter Matthew Halsall's Gondwana Records has been documenting that city's vividly creative jazz
scene – here he introduces GoGo Penguin, a young piano trio collecting a
cult following in the region this year. The band cite Aphex Twin,
Debussy and Massive Attack among their influences, but from a jazz angle
EST, the Bad Plus, and maybe a little of the funky drive of Neil
Cowley's trio play big roles. Pianist Chris Illingworth makes the EST
connection explicit in the anthemic roll of the opening Seven Sons of
Björn (written at the time of Esbjörn Svensson's premature death), a
stirring theme in the manner of the Swedish superband, unfolded over Rob
Turner's intense drumming.
Brief melodic motifs enriched by powerful
countermelodic bass (from the excellent Grant Russell) suggest both Tord
Gustavsen's music and drummer Turner's enthusiasm for Aphex Twin on the
atmospheric Last Words. Turner's and Russell's relationship drives all
the music and provides much of the variation – and Bad Plus fans will
warm to the spacey chords and rattling drum fills of I Am That, the
steadily darkening narrative of Akasthesia, and the irresistible hook
and rock-finale swell of the exciting HF. It might be a little short on
melody-improv or unexpected diversions from the prevailing hooks for
some jazzers, but it's obvious why the Manchester clubs are jumping to
this band.
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