David Warren "Dave" Brubeck (December 6, 1920 – December 5, 2012)
Dave Brubeck, designated a “Living
Legend” by the Library of Congress, was one of the most active and
popular musicians in both the jazz and classical worlds. With a career that
spanned over six decades, his experiments in odd time signatures, improvised
counterpoint, polyrhythm and polytonality remain hallmarks of innovation.
Born into a musical family in Concord,
California-- his two older brothers were also professional musicians--he began
piano lessons with his mother at age four. He was 12 when his father moved the
family to a cattle ranch in the foothills of the Sierras. Dave’s life changed
dramatically. Piano lessons ended and cowboy life began. He worked with his father on the 45,000 acre
cattle ranch. When he was 14, he started playing in local dance bands on
weekends. When he enrolled at the College of the Pacific, in Stockton,
California, his intention was to study veterinary medicine and return to the
ranch. While working his way through
school as a pianist in local nightclubs, the lure of jazz became irresistible
and he changed his major to music.
Graduating in 1942, he enlisted in the Army, and shortly thereafter
married Iola Whitlock, a fellow student at Pacific. While serving in Patton’s Army in Europe, he
led a racially integrated band. After
his discharge from military service in 1946, he enrolled at Mills College in
Oakland, California to study composition with French composer, Darius
Milhaud. Milhaud encouraged him to pursue
a career in jazz and to incorporate jazz elements into his compositions. This
cross-genre experimentation with like-minded Milhaud students led to the
formation of the Dave Brubeck Octet in 1947.
In 1949, Brubeck with Cal Tjader and Ron Crotty, fellow Octet members,
cut their first award-winning Dave Brubeck Trio recordings. After suffering a near fatal diving accident
in 1951, Dave formed the Dave Brubeck Quartet with alto saxophonist Paul
Desmond, who was also a member of the Octet. The legendary Brubeck-Desmond
collaboration lasted seventeen years and beyond.
The Dave Brubeck quartet’s recordings
and concert appearances on college campuses in the ‘50s and early ‘60s
introduced jazz to thousands of young people. The quartet’s audiences were not
limited to students, however. The group
played in jazz clubs in every major city and toured in package shows with such
artists as Duke Ellington, Ella Fitzerald, Charlie Parker, Dizzy Gillespie and
Stan Getz. The Dave Brubeck Quartet
repeatedly won top honors in trade magazines and critic’s and reader’s
polls. In 1954 Dave Brubeck’s portrait
appeared on the cover of Time Magazine with a story about the jazz renaissance
and Brubeck’s phenomenal ascendancy.
In 1958 the Quartet made their first of
many international tours. The U.S. State Department sponsored the Quartet’s
performances in Poland, India, Turkey, Sri Lanka, Afghanistan, Pakistan, Iran
and Iraq. Exposure to many different cultures was reflected in the group’s
repertoire that sometimes incorporated exotic elements. The 1959 recording “Time Out” experimented in
time signatures beyond the usual jazz 4/4. To everyone’s surprise “Time Out”
became the first jazz album to sell over a million copies and “Blue Rondo a la
Turk” and “Take Five” (now in the Grammy Hall of Fame) began to appear on
jukeboxes throughout the world.
Early in his career Brubeck wrote
primarily for this Quartet, and some of those pieces, such as “In Your Own
Sweet Way” and “The Duke” became part of standard jazz repertoire. His first orchestral composition,
“Elementals”, written for an improvising jazz combo and symphony orchestra was
premiered and recorded in 1962. Choreographed by Lar Lubovitch, “Elemental Brubeck” is currently in the repertoire
of the San Francisco Ballet and several other dance companies.
Throughout his career Brubeck has experimented
with integrating jazz into classical forms. In 1959 his Quartet premiered and
recorded his brother Howard’s “Dialogues for Jazz Combo and Orchestra” with the
New York Philharmonic, Leonard Bernstein conducting. In 1960 he composed
“Points on Jazz” for the American Ballet Theatre, and in later decades composed
for and toured with the Murray Louis Dance Co. His musical theater piece “The
Real Ambassadors” starring Louis Armstrong and Carmen McRae was recorded and
performed to great acclaim at the 1962 Monterey Jazz Festival.
The “classic” Dave Brubeck Quartet
(Paul Desmond, alto sax from 1951; Eugene Wright, bass from 1958; Joe Morello,
drums from 1956) was dissolved December 1967. Baritone saxophonist Gerry
Mulligan joined a newly formed Dave Brubeck Trio (with Jack Six, bass and Alan
Dawson, drums) the following year. This group recorded and toured the world
together for seven years. In this period
Brubeck also performed with three of his musical sons, Darius, Chris and Dan
billed as “Two “Generations of Brubeck” frequently with Gerry Mulligan or Paul
Desmond as guest artists.
In the ‘80s Brubeck led a quartet that
featured clarinetist Bill Smith, a former Octet member, with his son Chris on
electric bass and Randy Jones on drums. This group toured the Soviet Union in
1987 and along with former bassist, Eugene Wright, accompanied President Reagan
to Moscow to perform at the Reagan-Gorbachev Summit in 1988. Since the Dave
Brubeck Quartet’s first appearance at a State Dinner for King Hussein of Jordan
during the Johnson administration, Brubeck has performed at The White House on
several occasions and for many different Presidents.
Shortly after the dissolution of the
“classic” Quartet, the Cincinnati Symphony Orchestra, with Erich Kunzel
conducting, premiered Brubeck’s oratorio,” The Light in the Wilderness”
(February 1968). The following year Brubeck’s second major work “The Gates of
Justice”, a cantata based on the words of Martin Luther King, Jr. and the Old
Testament, was also premiered by Kunzel in Cincinnati. It has since been re-recorded by the
Baltimore Choral Arts Society, Cantor Abraham Mizrahi, tenor and Kevin Deas,
bass-baritone, for the Milken Archive of American Jewish Music, Russell Gloyd
conducting.
Throughout his career Brubeck has
continued to experiment with interweaving jazz and classical music. He has performed as composer-performer with
most of the major orchestras in the United States and with prestigious choral
groups and orchestras in Europe and America.
Dave cites as some of the highlights of his career the premier of his
composition “Upon This Rock” for Pope John Paul II’s visit to San Francisco and
the performances of his mass “To Hope! A Celebration” in St. Stephan’s
Cathedral in Vienna and in Moscow with the Russian National Orchestra and
Orloff choir.
Dave Brubeck’s compositions include a
popular Christmas choral pageant “La Fiesta de la Posada”, oratorios and
cantatas, ballet suites, a string quartet, chamber ensembles, pieces for solo
and duo-piano, violin solos and orchestral works. His mass “To Hope! A
Celebration” has been performed throughout the English speaking world, Germany,
Russia and Austria and was recorded in the National Cathedral in Washington,
D.C. In 2002 the London Symphony Orchestra and London Voices recorded in
“Classical Brubeck” his Easter oratorio “Beloved Son”, “Pange Lingua
Variations”, “The Voice of the Holy Spirit” and a composition for string
orchestra, “Regret”, all under the baton of Russell Gloyd, who since 1976 has
been associated with Brubeck as conductor, producer and manager. A mini-opera
based on Steinbeck’s “Cannery Row” was presented at the Monterey Jazz Festival
in 2006.
While increasingly active as a composer,
Brubeck has remained a leading figure in jazz, recording for Telarc, appearing
in festivals and touring internationally in concert halls with today’s version
of the Dave Brubeck Quartet-- Bobby Militello, sax and flute, Randy Jones,
drums, Michael Moore, bass. As in the Dave Brubeck Quartet decades ago, each is
a master musician and their concert repertoire ranges from “hits” from the old
Quartet “book” to cutting edge new material.
Throughout his long career Dave Brubeck has received national and international honors, including the National Medal of the Arts from President Clinton, a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences, the Smithsonian Medal, and a star on the Hollywood Walk of Fame. He holds numerous honorary doctorates from American, Canadian, English and German universities, including an honorary degree in Sacred Theology from Fribourg University, Switzerland. Recently, Brubeck received the Distinguished Arts Award from the Ford Honors program of the University of Michigan and in 2006 received from Notre Dame their highest honor, the Laetare Medal. He is a Duke Ellington Fellow at Yale University, and was presented with the Sanford Medal by the Yale School of Music
In the year 2000 the National Endowment
for the Arts declared Dave Brubeck a Jazz Master. He was inducted into the American Classical
Music Hall of Fame in 2003. In 2007 he received a Living Legacy Jazz Award from
Kennedy Center and the Arison Award from the National Foundation for the Advancement
of the Arts.
His international honors include Austria’s
highest award for the Arts, a citation from the French government, and the
Bocconi Medal from Italy. The London Symphony Orchestra, acknowledging their
long association, presented him with their prestigious Lifetime Achievement
Award in 2007.
The most recent honor from his alma
mater, the University of the Pacific, is the President’s Medal of Achievement
presented by Donald V. De Rosa. Dave
Brubeck serves as chairman of The Brubeck Institute that the University of the
Pacific established in his honor.
Dave Brubeck’s most recent recording is
a highly praised solo piano album “Indian Summer” that was named 2007 Album of
the Year by Douglas Lytle, of blomberg.com.
Selected Discography
Jazz at Oberlin (Fantasy)
Time Out (Columbia)
The Real Ambassadors (Columbia)
Time Signatures (Sony Music)
Classical Brubeck (Telarc)
London Flat, London Sharp (Telarc)
Indian Summer (Telarc)
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