Susana Baca's seventh album for David Byrne's Luaka Bop imprint is an ambitious affair with Baca bringing her instantly recognizable and elegant vocal style to the table in an attempt to show the pervasive influence of African rhythms and song forms on South American and Caribbean music. It’s not that she hasn’t been doing this all along on her releases, but the title of this one, Afrodiaspora, clearly states the case, and there is an astounding variety of styles blended together here, from tango, salsa, and flamenco to New Orleans-styled brass band blues and dance numbers, and everything comes out sounding distinctly Afro-Peruvian no matter how many regional variations are tossed into the mix. But Baca isn’t about fusion so much as she is about shining a light on how much folk traditions continually soak up new wrinkles and rhythms as part of the natural human approach to making and playing music, and if the Afro-Andean elements on display here are relatively new, they’re fully in line with what folk music always does: take what works and run with it.
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