One of Japan's finest and most prolific bands return for their 6th long play in 5 years! Now we all know what a fantastic scene Japan has in what is very loosely called acid/club/future/contemporary/ you name it, anything goes ...jazz and Indigo Jam Unit are heading this coalition of joined Nippon forces with the likes of Quasimode, Mama!Milk, Montain Mocha Kilimanjaro, Soil & Pimp Sessions etc. "ROOTS" is another foray into dynamic as well as complex textures of modern jazz and with tracks such as Roots, Voyager and Mony Trick it might as well be their best effort yet!Wednesday, December 29, 2010
Indigo Jam Unit - Roots (2010)
One of Japan's finest and most prolific bands return for their 6th long play in 5 years! Now we all know what a fantastic scene Japan has in what is very loosely called acid/club/future/contemporary/ you name it, anything goes ...jazz and Indigo Jam Unit are heading this coalition of joined Nippon forces with the likes of Quasimode, Mama!Milk, Montain Mocha Kilimanjaro, Soil & Pimp Sessions etc. "ROOTS" is another foray into dynamic as well as complex textures of modern jazz and with tracks such as Roots, Voyager and Mony Trick it might as well be their best effort yet!Ariya Astrobeat Arkestra (2010)
The Ariya Astrobeat Arkestra formed in late 2007 when members of the Kidkanevil live show and First Word stalwarts Homecut began a series of late night afrobeat sessions at Leeds’ Sela Bar. It was out of these jam sessions that The Ariya Astrobeat Arkestra was born, combining their love of afrobeat with their appreciation of the space jazz pioneers of the 70’s and the free jazz trailblazers of the 60’s, coupled with a hefty nod towards James Brown. Individually they have been lucky enough to Perform with the likes of Yarah Bravo, Gilad Atzmon, Jehst, The New Mastersounds, The Haggis horns, Kidkanevil, Homecut, Kissey Asplund and Ty, to name a few...Ariya Astrobeat Arkestra by djgilla
Saturday, December 25, 2010
Wynton Marsalis - Crescent City Christmas Card (1989)

“Because these tunes use such traditional chords and forms, much can be learned by bringing the language of jazz to them. You have to rethink every musical element: melody, timbre, harmony, and rhythm. You have to thin about different rhythms and tempos and which tunes they’re appropriate for. The challenge is whether or not you can maintain the meaning of the song but bring your own personality to it, relentlessly. That’s why I call this album Crescent City Christmas Card: I’m bringing things to this music that originated in New Orleans, especially in terms of the use of the ensemble. Jelly Roll Morton’s conceptions are now basic to what I do in my own band. I use interludes, riffs, breaks, tempo and meter changes, counterpoint, whatever gives the music more richness. On this album, I also wanted to write for more horns because you can deal with more sophistication, colors, and timbres.” - W. Marsalis
Thursday, December 23, 2010
The Bad Plus - Never Stop (2010)

For the past ten years The Bad Plus Reid Anderson, Ethan Iverson and David King have broken down the walls of jazz convention and created an uncompromising body of work. Few jazz groups in recent memory have amassed such acclaim, and few have inspired such controversy. Their belief in the band ethos and their personal brand of avant-garde populism have put them at the forefront of a new instrumental music movement, drawing audiences both traditional and mainstream. While the bulk of their output has been original music, they have deconstructed songs in the pop, rock as well as the country and classical music idioms.
NEVER STOP is the first album by The Bad Plus to consist entirely of originals. Recorded in Minnesota with a live, stripped-down sound, NEVER STOP showcases the band's range as well as its three distinct personalities. From gentle and melodic to fierce and abstract, from swing to 80's techno, NEVER STOP is tied together by a group sound that embraces diversity as strength. Ten years in, The Bad Plus is here to stay.
Wednesday, December 22, 2010
Mavis Staples - You Are Not Alone (2010)

Rock and Roll Hall of Famer and soul/gospel legend Mavis Staples delivers more wall-to-wall joy on her triumphant new Anti- album, You Are Not Alone than any other release you’re likely to hear this year.
Produced by fellow Chicagoan Jeff Tweedy at Wilco’s studio The Loft, the intimate and textured production showcases the iconic singer at her most powerful and fervent. You Are Not Alone mixes traditional gospel numbers with two new songs written for Mavis by Tweedy, plus her unique interpretations of songs by Pops Staples, Randy Newman, Allen Toussaint, John Fogerty, Rev. Gary Davis and Little Milton.
Produced by fellow Chicagoan Jeff Tweedy at Wilco’s studio The Loft, the intimate and textured production showcases the iconic singer at her most powerful and fervent. You Are Not Alone mixes traditional gospel numbers with two new songs written for Mavis by Tweedy, plus her unique interpretations of songs by Pops Staples, Randy Newman, Allen Toussaint, John Fogerty, Rev. Gary Davis and Little Milton.
Tuesday, December 21, 2010
Flying Lotus - Cosmogramma (2010)

When global bass music matriarch Mary Anne Hobbs recently told The Fader “Flying Lotus, for me, is like the Hendrix of his generation” it seemed more then an audacious opinion, and with the arrival of Cosmogramma, it's revealed as a revelation. In the past couple of years, Flying Lotus has grown into the position of being far more than a producer, he has helped materialize a far-reaching strain of musical ideology that has encompassed not only a global family of like-minded artists, but also a nearly infinite palate of planetary (and interplanetary) sonics.
People speak about ‘important’ albums all the time, but rarely is it so apparent that person behind them is following their own, chosen path – Flying Lotus is one of those precious few artists. When one is presented with an invitation for space travel, it’s not something to pass up.
READ THE FULL WARP ARTICLE HERE AND DOWNLOAD THREE RECENT SONGS FOR FREE ...HERE!!!
Flying Lotus - Galaxy In Janaki by Hypetrak
Monday, December 20, 2010
Orgone - Cali Fever & Killion Vaults (2010)
Orgone are back with Cali Fever, their second album for Ubiquity and a giant step from anything they have ever released in the past. This is a band in ascendancy, with more focus and purpose, and gigging like their lives depend on it. They pull on hard-nosed, stripped-down, New Orleans influences on tracks like The Last Fool and Crazy Queen. And effortlessly shift gears through more uptempo Afrobeat and Brazilian informed tracks like Matanza and summer anthem It's Time Tonight. Unlike previous releases, Cali Fever features all-original compositions, and no covers. With lead singer Fanny Franklin at the helm, the band rip through soul cuts like Give It Up and Overtime with a wild West Coast flair.
Orgone dropped Cali Fever, their second album for Ubiquity earlier this year. They have also played a ton of dates including Jazz Fest, the High Sierra Festival, been touring with the Roots, and Greyboy Allstars, and opening for bands as varied as Snoop Dogg, Sharon Jones and Gil Scott-Heron. With new management pushing Orgone out to as many dates as they can handle, the band have been selling out of merch on every road trip - so they decided that it was time for a new album for their newfound and rapidly expanding fanbase. Somehow, amidst their insane schedule they have put together a brand new, exclusive and all-instrumental album for Ubiquity called Killion Vaults.
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