Hugh Gledhill - Big Dinosaur Mouth (2014)

 Big Dinosaur Mouth is the debut album from London-based funk and soul guitarist Hugh Gledhill (The Jezebel Sextet, The James Taylor Quartet) on Sookie Records, featuring Hugh Gledhill on guitar, Seamus Beaghen (Trio Valore), on Hammond, Burundian singer/songwriter Mudibu on vocals, and the Killer Horns (Alice Russell).

Nine new songs blend Memphis soul, boogaloo guitar, Hammond and horns - all captured with outstanding sound quality on analogue tape. Mudibu features on four vocal tracks including 'Under Our Eyes' and 'Time, Strength...; Patience', two ballads inspired by Steve Cropper and Booker T & The MGs, plus the radio-friendly 'Don't Rush' with its summer soul groove, ska chorus and big finale.

The Shaolin Afronauts - Follow the Path (2014)

The driving force of The Shaolin Afronauts is Ross McHenry, the ARIA nominated composer, bandleader, producer and bassist based in Adelaide. Alongside co collaborators Lachlan Ridge and Dylan Marshall, It is their opmbined wide ranging musical tastes, impeccable production and instrumental skills that always result in music that is original, thought provoking, unexpected and quite beautiful.

2011's debut album 'Flight Of The Ancients' was a critical and commercial success story. The follow up 'Quest Under Capricorn' further cemented the bands reputation for forging their own very particular sound - and now in 2014 - as the band prepare to tour Japan & Europe (including 2 prestigious shows at The Glastonbury Festival) Freestyle Records is proud to present the expansive & epic Follow The Path.

V/A - The Wah Wah version (2014)

 Wah Wah 45s celebrate the joy of the cover version! The label has always had a keen ear for a re-working of a classic piece of music, whether it be an unexpected brass take of a soft rock or hip hop cut from Hackney Colliery Band, or a sultry rendition of a soul nugget from Stac, with the only conditions being that the cover takes the original piece of music somewhere new, fresh and exciting.

The label's 15thanniversary seemed like a good time to not only re-visit a number of very canny covers from over the years, but also to throw in a couple of new and exclusive ones for good measure too and as a way of saying thank you for all your support over the last decade and a half.

Finding Fela (Alex Gibney, 2014)

 

Finding Fela tells the story of Fela Anikulapo Kuti’s life, his music, his social and political importance. He created a new musical movement, Afrobeat, using that forum to express his revolutionary political opinions against the dictatorial Nigerian government of the 1970s and 1980s. His influence helped bring a change towards democracy in Nigeria and promoted Pan Africanist politics to the world. The power and potency of Fela’s message is completely current today and is expressed in the political movements of oppressed people, embracing Fela’s music and message in their struggle for freedom. Finding Fela was directed by the Academy Award winning director, Alex Gibney.

Naomi Shelton & the Gospel Queens - Cold World (2014)

With Gabriel (Bosco Mann) Roth at the helm, Naomi and company went into the studio Summer 2013, and cut onto tape what can only be described as bonafide Soul Excitement of the highest order!  At the heart of it, Cold World is a Soul record but the cross section of sub-genres the album weaves through makes it difficult to label it plainly as such.  There are tracks like ‘Sinner’, ‘Heaven Is Mine’, and ‘Humble Me’ that capture the group’s penchant for Soul grooves, seasoned with Naomi’s tough vocal delivery, and the Queens melodic interplay, which captures perhaps better than any of the other tracks, NSGQ’s live show. 

Tumi Mogorosi - Project ELO (2014)

When Tumi Mogorosi composed this suite for jazz musicians and opera vocalists he had never heard the previous successful attempts by Donald Byrd, Max Roach or Mary Lou Williams to combine these seemingly 'unfriendly'aesthetics. Tumi, born in 1987 and already an accomplished drummer on the Jo'Burg scene, was at the time studying music at the Tshwane University of Pretoria where he became close friends with opera singers working on the same campus. So unlike some of his US peers Tumi's beliefs are not 'religious'.

Badbadnotgood - III (2014)

The best work so far from this ultra-hip trio – an amazing combination of keyboards, bass, and drums – served up in styles that are rooted in funk and jazz, but go to so many other places as well! The drums crackle with a quality schooled in 70s breaks and beats, stripped down to their core – and the mix of keyboards echo a range of innovators from CTI to Money Mark, with a spacious flow that leaves plenty of room for the basslines to drive the tunes! Other instrumentation includes bits of guitar and percussion from the group, plus some guest tenor and strings as well.